Seized (2020)- * * *
Directed by: Issac Florentine
Starring: Scott Adkins, Matthew Garbacz and Mario Van Peeples
In his former life, he was a Special Ops professional badass known only by the code name Nero (Adkins). But today, he is simply a well-meaning dad. Trying to raise a moody teen son named Taylor (Garbacz) who has angst and questions about the loss of his mother, "Nero" now works in Mexico as some sort of IT security consultant. But Nero's past comes back to haunt him in the form of Cartel head Mzamo (Van Peebles). Mzamo kidnaps Taylor, secrets him away in a room that apparently is too cold, and forces Nero to reawaken his old killer instincts and kill off Mzamo's rivals in the drug trade. Nero doesn't want to do it, of course, but he is forced to, now with Taylor's life hanging in the balance.
Given a series of increasingly difficult and dangerous assignments, Nero is coerced into wearing a bodycam so Mzamo and his goons can have a watch party as they sit around, drink muchos cervezas, and chant "Ner-o! Ner-o!" just like the Jerry Springer audience of yore. Soon, truths are revealed, conspiracies get to the top, and familial bonds may be rekindled. All thanks to the healing spirit of violence. Can Nero punch, kick, and shoot his way to the truth - and his son's love? SEIZE your remote control today!
Seized, the eighth collaboration between director Isaac Florentine and star Scott Adkins, is a fast-paced and entertaining action romp that delivers yet more goods to fans. The title Seized may put you in mind of Taken (2007), Abduction (2019, also with Adkins), Stolen (2012), Gone (2012), or perhaps a similar movie of this sort that we made up, Plucked. Some of which may include Liam Neeson, but all pretty much include a kidnapped young person that a man of action must retrieve. Hey, it was 2020 and that was the thing - as were very clear Trumpian references in some of the dialogue. Nero even works from home - very 2020.
But, plotwise, a very close parallel is Acceleration (2019). There, Natalie Burn had to drive around and do "action assignments" because Dolph was telling her to. Here, Scott Adkins must do the same because Mario Van Peebles was telling him to. We actually wouldn't recommend a double-bill of Acceleration and Seized because they're so darn similar. It would be like watching a three-hour version of the same thing.
Mario Van Peebles wears a pretty fantastic hat and his charismatic performance goes a long way, as it usually does. He's a solid foil for Adkins and they pit well against each other. In a big budget Hollywood movie, Dennis Hopper would have, could have, and should have played this role. But as Van Peebles fans we were certainly happy.
Adkins, of course, is no slouch, and in the nightclub scene we get a glimpse of what a John Wick sequel might look like if Adkins played Wick (as opposed to Killa). He's referred to as "The Best" - a classic cliche we all love - and watching him take down baddies is a joy. It was also nice to see him back in Mexico, but this time in a far better film than El Gringo (2012). He even gets his own Mel Gibson Ransom (1996) moment as he demands Mzamo give him back his son.
It's all over quite briskly at the 82-minute mark, as it should be. The audience is never even remotely close to being bored, and the photography is crisp and clear, with everything visible and vibrant.
For another Adkins/Florentine winner - we should all be thankful that they're working so well together still - be sure to check out Seized.
Comeuppance Review by: Brett and Ty